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      Join instructor Taryn McCabe as she shares this exciting style of stamping. Mandala stamping is a great way to use design stamps and letter stamps in a whole new way! By thinking of your stamps as portions of a larger pattern, you will create one of a kind beautiful designs. This class is perfect for the intermediate stamper who is ready for a new challenge.

      This is an intermediate level class, we recommend you have an understanding of Stamping on Metal before getting started.

       

      hi I'm Taryn with Beaducation.com and

      today we're going to have a fun class

      where we're going to be stamping in a

      whole new way we're going to be looking

      at design stamps turning them upside

      down roundabouts using letter sets as

      ways to decorate your stamping projects

      it's kind of a hybrid between collage

      stamping and pattern stamping it's a lot

      of fun if you're new to stamping feel

      free to pop on over to Lisa Niven

      Kelley's beginning stamping class where

      you'll learn all the techniques you need

      and then come on back and take this one

      here's some of the tools we're using in

      today's class we have two chain nose

      pliers a brass mallet an assortment of

      design stamps a ruler here we have a

      bench block and a sandbag really helps

      to quiet the hammering and simple pliers

      if you want more information about

      stamping check out our stamping

      checklist online we have Pro polished

      pads a sharpie marker a plastic mallet

      extra fine steel wool I believe this one

      is four zeros and a hole punch pliers

      for today's project we're going to use a

      one and a half inch circle blank we have

      here examples of other blanks that you

      can use we have a ton of them to choose

      on the website that come in a variety of

      shapes sizes and metals

      we're going to start off by getting a

      circle divider which we have online at

      be education comm forward slash charts

      so we printed one out and then we're

      going to take our blank and we're going

      to Center it on the circle divider and

      we want to divide our blank into four

      quadrants just with a marker so I'm

      going to go ahead to find the center

      part and to divide it we're going to

      line up our ruler

      more accurate you can be the better

      there we go we want to we want to divide

      it into four different sections because

      we're going to be stamping this entire

      blank and we really want to create a

      pattern that's neatly we want all of the

      designs allocated really well and we

      want it to look neat and orderly even

      though there's going to be a lot going

      on here is an example of what we're

      going to make so this is a copper circle

      and we have multiple stamps on it we're

      going to start with the circle with the

      center there's a small little cross and

      then we're actually going to do the

      border next that way if you just start

      in the center and worked your way out

      you might actually run out of a room for

      what you want to stamp so this way you

      have a completed border a perfect Center

      stamp and then we're going to grow

      within those stamps so we have our blank

      situated on a bench block and I'm going

      to grab a circle design stamp I'm going

      to situate it right in the center as

      best as I can on our Center mark and I'm

      going to go ahead and take my brass

      mallet and give it a couple good Wallops

      I'm pretty heavy-handed I love how I

      feel like the heavier the deeper the the

      print of the design stamp it gives it

      more like an antique look I think it

      really gives it something for the

      oxidized ox for the sharpie or the liver

      of sulfur to really go in and and make

      it dark my next stamp I'm going to grab

      one of these squares and I'm going to

      start at the one end of our design of

      our divided line I'm going to line it up

      right on that line there and I'm going

      to hit it pretty much four times one for

      each corner of the square

      then we have a little square let's go

      ahead and rotate it and we're going to

      work on each of those two lot of those

      dividing points oh okay that one wasn't

      as strong so I'm going to go ahead and

      match my design stamp in it a few more

      times Simon with that when I've done

      those four points then I'm going to

      eyeball it and go in the center so I'm

      going to go right in between those when

      I said Center I meant

      center of those two stamps so

      so once you then we've done our four

      lines we've done in between there we can

      stamp in between those with the same

      stamp if we wanted or we could switch it

      up we actually have a smaller square

      that I think would be cute so I'm going

      to grab a smaller square and then go in

      between those the nice thing about

      having it divided is you know that

      everything is allocated really evenly so

      you don't start at one point and make

      your way around and find out oh I don't

      have room for that last stamp or too

      much it just works out really

      beautifully

      and then we have a nice border so if you

      prefer your border to be a little bit

      more full like you see that there's some

      voids in between where the squares are

      then you can take another stamp and

      stamp in between those points if you

      feel that there's not enough room to

      accommodate a full design stamp then

      what I like to do so we have this little

      decorative stamp I'm going to take the

      part that's a little more angular I'm

      going to just kind of cozy it right in

      between the squares and I'm going to

      angle my design stamp in towards the

      center of the blank we want to make sure

      when we hit it that it all hits on the

      blank and we don't accidentally imprint

      on our bench block if you do it's a

      little bit of a bummer because you can

      it's a problem for your design stamp you

      can dull it because hitting the steel

      and if you imprint your bench block then

      when you're doing further projects you

      can get that design into your other

      projects so I'm just going to take it

      angle it in and then you get a little

      bit of a neat design just on the edge

      one of the things that this can do is it

      can kind of distort your circle so it

      has a little bit more of an uneven edge

      some people like that makes it look

      really antiquey other people might want

      to clean it up with a file

      we're going to continue to stamp from

      the center out I'm going to keep using

      this spiral finial design in the middle

      because I think it's nice to connect the

      border to the inside so I'm going to

      again we're going to start we're working

      in our quarters so I'm going to start

      stamping right on the line

      see right there I actually got a lot of

      shadow on that design stamp and that's

      okay because we're going to have so much

      decorative pattern that I think it it's

      not going to look like a problem it's

      going to really look like it's part of

      it

      so once we've got our four I'm going to

      go ahead and pick another design stamp I

      think I'm going to go with a heart this

      time and I'm going to I'm going to grow

      in between the stamp so we just did it's

      nice to think about shapes that work

      with what you're the void or the space

      that you have so right where these

      circles look it's almost like a V and I

      think art will really work well in there

      and at this point we'll keep picking new

      design stance so I'm going to grab I'm

      going to grab a triangle and I think I'm

      going to stamp it right at the top of

      our of our spiral finial see little

      triangles pointing out and then we'll

      change to a new design stamp I'm going

      to go back we have another triangle

      it's a little stouter but I think it's

      nice to repeat stamps because I think

      that it's good to see things multiple

      times I'm going to put them above our

      O's

      then we'll rotate to a new one we have

      this is a little spiral leg it kind of

      looks like smoke I'm going to try and

      fit that on top of our point to your

      triangle see how that works if things

      overlap that's okay I think it just adds

      to it like this one

      hump it there's space but I see that

      there's a lot of space right here so I'm

      going to go ahead and add it there if

      you're a stickler for the rules you

      don't have to deviate but I kind of like

      just filling in where there's voids

      especially at this point where we follow

      the rules so you can see we pretty well

      filled it with a lot of design stamps if

      you're happy with it that's exciting I

      like it but this is another opportunity

      to use one of my favorite tools which is

      the dimpling plier so if you think like

      for some of the larger design stamps

      like the square you notice that there's

      nothing in the center you can use this

      dimpling plier which I love just has a

      nice little 1 millimeter or well this

      portion comes down and creates a little

      1 millimeter hole so I'm going to go

      ahead and grab our blank I'm going to

      take this I think I'm going to go inside

      every square so I'm just going to take

      that apply some pressure that takes us

      to the beginning so at this point if you

      were really heavy handed and you stamped

      it very hard there's a chance that your

      blank could have then gotten a little

      misshapen ideally we want it nice and

      flat and what you want to do to flatten

      out your blank is we're going to then

      take a pro polish pad I'm going to cover

      our bench block if you don't have a pro

      polish pad you can you actually can

      hammer on there it's just going to pick

      up a lot of the imperfections or you

      could use a piece of leather

      some people even tape their block it's a

      lot of different options this is so easy

      so we're just going to put our blank on

      the other so I'm going to put it fancy

      side down so I'm going to put the design

      stance down and I'm going to take our

      plastic mallet and I am going to hit it

      very hard with a lot a lot of pressure a

      lot of hits because we really want to

      flatten it you can hit as many times as

      you need to to flatten it and if you

      also want to flip it this way in hammer

      it whatever way is going to get the job

      done you don't have to worry so much

      about this side marring it because it's

      a nice soft material plastic after we

      really hit it hard have it nice and flat

      with this one I'm just going to grab

      like a thicker we don't want to use a

      fine tip so we had some of thicker

      sharpie and I'm just going to go ahead

      scribble over this oops

      you want to go ahead and go back and

      forth a lot because you want to make

      sure that the deeper impressions get the

      Sharpie in it especially some of those

      dimples it can be more difficult to

      color in so we want to let it dry if you

      don't let it dry you can make a mess

      with your polishing pad sometimes I'll

      pick it up and kind of wave it around

      then I'm gonna blow on it because I

      don't think it's done I'm going to take

      this and a pro polish pad and I'm just

      going to take away the excess you'll see

      it starting to come off it's already

      starting off beautiful

      Oh am i one of my challenges is I like

      things to be fast and easy this is kind

      of taking too much time which if you

      want it really shiny you must persevere

      and use that Pro polish pad I like

      things to look a little bit antique I

      like texture so I'm going to grab some

      steel wool and I'm just going to take

      this steel wool works magic wonders

      really really fast and it gives a little

      bit of a muted shine because you're

      going to have that the marks from where

      the steel will actually marks the metal

      but it still looks beautiful so here we

      have our polished mandala so now we want

      to punch a hole in it unless you want to

      keep this just as a beautiful coin so

      I'm going to grab a pair of the hole

      punch pliers you can kind of pick where

      you want it to hang sometimes you might

      stamp and it looks like there is an

      actual top or a bottom but you get to

      pick wherever you want I think I'm just

      going to put it where one of the dimples

      is in a square pop a hole in that and

      then we'll get ready and put a put a

      jump ring through that you could also

      use a Tina like we did with these where

      we ended up using metallic colors and it

      looks almost like these are two

      different metals so this is a fun

      alternative

      so this is our finished product once we

      put a jump ring and a chain through it

      and behind we have other examples of

      what you can do using different various

      shape blanks like this is one of our

      plaques and here we have the guitar pick

      I love how with this one you could

      actually use a coin or something to

      create a circle and find the center and

      then build it out so it doesn't have to

      cover your entire blank you can kind of

      offset what you're stamping and create a

      design on top of the design of the blank

      so you're working with the shape I think

      this one looks like lace this one's one

      of my favorites because if you don't

      have a ton of design stamps this one's

      made entirely from a letter set so we

      have OHS C's Peas or no I think they're

      bees DS a lot of letters these this is a

      fun fun way to do the same project just

      with a letter set or a couple letter

      sets and then up here the two top ones

      are actually rings this is almost

      exactly the same project same blank

      different stamping same technique but we

      ended up using the nylon jaw ring

      bending pliers and then you can create a

      ring from it which i think looks

      fantastic and same with this one we use

      the nylon jaw ring bending ones with the

      plaques and then just stacked them so we

      have a border on top of it a lot of

      awesome opportunities lots of different

      adventures I hope you enjoy making them

      thank you so much for taking my class I

      hope you enjoyed the project we worked

      on I hope you also continue to make more

      of your own because even if you use the

      exact same stamps they always turn out a

      little different so good luck and stay

      up on